{"id":409,"date":"2023-04-24T14:37:02","date_gmt":"2023-04-24T13:37:02","guid":{"rendered":"https:\/\/horamusic.co\/?page_id=409"},"modified":"2023-04-27T08:30:02","modified_gmt":"2023-04-27T07:30:02","slug":"donzietti-festival-bergamo","status":"publish","type":"page","link":"https:\/\/horamusic.co\/it\/projects\/donzietti-festival-bergamo\/","title":{"rendered":"Festival Donizetti, Bergamo"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><br>It is not always necessary to travel a millennium into the past in order to understand the true nature of musical archaeology. <br><br>In the middle of the 1800s, Europe was devastated by revolution. Music, as well, found itself undergoing a radical metamorphosis with the Belcanto movement. <br><br>This festival has been celebrated for many years with instrumental historians of Simon Mayer and Gaetano Donzietti returning the unmistakable original colours to selected operas. <br><br>The execution of such compositions on their original instruments is nothing short of extremely difficult but provides the audience with unmatched authenticity.<br><br>First Flute: Paola Bonora<br><br><br><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le nozze in villa, A. 4, Act I: Sinfonia (Live)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/mZbYN4UN_dU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:71px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Le nozze in villa, A. 4, Act II Scene 5: Dai suoi bei lumi (Live)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/af_FNEhpLEY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:71px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"DONIZETTI L&#039;elisir d&#039;amore - &#039;Ah l&#039;eccesso del contento&#039; [2021 Teatro Donizetti, Bergamo]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/f_n0qaxH_hk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:71px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"868\" height=\"442\" src=\"https:\/\/horamusic.co\/wp-content\/uploads\/FESTIVAL_DONIZETTI-Paola-Bonora.jpg\" alt=\"FESTIVAL_DONIZETTI - Paola Bonora\" class=\"wp-image-480\" title=\"\" srcset=\"https:\/\/horamusic.co\/wp-content\/uploads\/FESTIVAL_DONIZETTI-Paola-Bonora.jpg 868w, https:\/\/horamusic.co\/wp-content\/uploads\/FESTIVAL_DONIZETTI-Paola-Bonora-768x391.jpg 768w\" sizes=\"auto, (max-width: 868px) 100vw, 868px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>It is not always necessary to travel a millennium into the past in order to understand the true nature of musical archaeology. In the middle of the 1800s, Europe was devastated by revolution. Music, as well, found itself undergoing a radical metamorphosis with the Belcanto movement. This festival has been celebrated for many years with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":267,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-409","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/horamusic.co\/it\/wp-json\/wp\/v2\/pages\/409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/horamusic.co\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/horamusic.co\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/horamusic.co\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/horamusic.co\/it\/wp-json\/wp\/v2\/comments?post=409"}],"version-history":[{"count":15,"href":"https:\/\/horamusic.co\/it\/wp-json\/wp\/v2\/pages\/409\/revisions"}],"predecessor-version":[{"id":523,"href":"https:\/\/horamusic.co\/it\/wp-json\/wp\/v2\/pages\/409\/revisions\/523"}],"up":[{"embeddable":true,"href":"https:\/\/horamusic.co\/it\/wp-json\/wp\/v2\/pages\/267"}],"wp:attachment":[{"href":"https:\/\/horamusic.co\/it\/wp-json\/wp\/v2\/media?parent=409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}